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Oil Paintings Come From United Kingdom
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Peale, Raphaelle
American Painter, 1774-1825 Painter, son of Charles Willson Peale. His mother was Rachel Brewer Peale. He studied painting with his father and assisted him in the museum. Raphaelle began to paint portraits professionally in 1794, but poor patronage in Philadelphia forced him to travel in the South and New England, taking silhouettes with the physiognotrace and painting portraits in oil and miniature. From about 1815 onwards, bouts of alcoholism and gout inhibited his progress. He turned to painting still-lifes, but these sold for small amounts.

 

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Peale, Raphaelle Melons and Morning Glories oil painting

Painting ID::  19805

X 
 

Peale, Raphaelle
Melons and Morning Glories
1813 Oil on canvas Smithsonian American Art Museum, Washington D.C.
   
   
     

 

 

Peale, Raphaelle Bowl of Peaches oil painting

Painting ID::  19806

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Peale, Raphaelle
Bowl of Peaches
1816 Oil on board New Britain Museum of American Art, New Britain, CT.
   
   
     

 

 

Peale, Raphaelle Still Life: Strawberries Nuts oil painting

Painting ID::  19807

X 
 

Peale, Raphaelle
Still Life: Strawberries Nuts
1822 Oil on panel Art Institute of Chicago.
   
   
     

 

 

Peale, Raphaelle Lemons and Sugar oil painting

Painting ID::  19808

X 
 

Peale, Raphaelle
Lemons and Sugar
1822 Oil on wood Reading Public Museum and Art Gallery, Reading, PA.
   
   
     

 

 

Peale, Raphaelle Venus Rising from the Sea-A Deception oil painting

Painting ID::  31986

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Peale, Raphaelle
Venus Rising from the Sea-A Deception
mk77 Oil on canvas 29 1/4x24 1/8in
   
   
     

 

 

Peale, Raphaelle Still Life with Cake oil painting

Painting ID::  72558

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Peale, Raphaelle
Still Life with Cake
Date ca. 1822(1822) Medium Oil on panel Dimensions 24.1 X 28.7 cm (9.49 X 11.3 in) cyf
   
   
     

 

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Peale, Raphaelle
American Painter, 1774-1825 Painter, son of Charles Willson Peale. His mother was Rachel Brewer Peale. He studied painting with his father and assisted him in the museum. Raphaelle began to paint portraits professionally in 1794, but poor patronage in Philadelphia forced him to travel in the South and New England, taking silhouettes with the physiognotrace and painting portraits in oil and miniature. From about 1815 onwards, bouts of alcoholism and gout inhibited his progress. He turned to painting still-lifes, but these sold for small amounts.